Seba Kurtis / Lockdown Project

Christophe Guye Galerie, Zurich.

8th Jun 2020  –  29th Aug 2020

Christophe Guye Galerie announces Seba Kurtis’ showroom exhibition ‘Lockdown Project’ at the gallery. During the Covid-19 lockdown, Seba Kurtis continued his Artist in Residence at Ucen Manchester in his house.

Seba KURTIS - Egypt Deaths & Recoveries
2020; Lambda print; Courtesy of Cristophe Guye Gallery.


Using the situation as an opportunity to create new work from his vast archive of negatives using the new data of the pandemic available to the public, combined with samples of light correction filters to produce images which appear as though seen through a surreal kaleidoscope – this itself a metaphor of each individual’s unique experiences of the lockdown.

Seba KURTIS - Morocco Active Cases by State
2020; Lambda print; Courtesy of Cristophe Guye Gallery.


Seba Kurtis was born in Argentina in 1974. He studied journalism in Buenos Aires before leaving the country for Europe in the wake of the political and economic crisis of 2001. Several years spent as an illegal immigrant have informed much of his work, which explores the personal, social and cultural impact of irregular migration. ‘His photography is the sensitive extension of his robust nomad’s body with its magnanimous aura. It serves him as a performative means to talk about the world and to establish connections between world history and the individual story of his life in a sophisticated manner. As an artist Seba Kurtis is constantly on the move and is unconcerned by physical or aesthetic limits. He is among those who know that photography does not represent reality but that it is able to reveal its ruggedness, complexity and – above all – its inexhaustible poetry.’

– Stefano Stoll, Director of the Festival IMAGES in Vevey

Seba KURTIS - From Asia to Europe
2020; Lambda print; Courtesy of Cristophe Guye Gallery.


‘Kurtis has been working in areas of conflict over the last 12 years and is no stranger to the harsh realities in life that illegal immigration brings. In this isolation he has reflected on and made use of his own experiences by re-visiting past projects that didn’t make the final edit. He is now showing them in a new light amended by a form of intervention or collage used directly on his films to represent data on Covid-19. The information provided regarding the lockdown develops continuously – ‘Map of the outbreak in Arizona’, ‘Confirmed cases in France’, ‘Care Home deaths are still rising in the UK’. Kurtis represents the governmental imposed Lockdown guidance such as social distancing, combining this data with his empty landscapes and cities to make visible the rapid spread of coronavirus.’

– A. Mosley